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Κορινθιακά
Λακωνικά
Μεσσηνιακά
Ἠλιακῶν Α
Ἠλιακῶν Β
Ἀχαικά
Ἀρκαδικά
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[4]
μετὰ ταῦτα ἐς τὸ τοῦ Διὸς τέμενος ἐσελθοῦσι καλούμενον Ὀλυμπιεῖον ναός ἐστι θέας ἄξιος: τὸ δὲ ἄγαλμα οὐκ ἐξειργάσθη τοῦ Διός, ἐπιλαβόντος τοῦ Πελοποννησίων πολέμου πρὸς Ἀθηναίους, ἐν ᾧ καὶ ναυσὶν ἀνὰ πᾶν ἔτος καὶ στρατῷ φθείροντες Μεγαρεῦσιν Ἀθηναῖοι τὴν χώραν τά τε κοινὰ ἐκάκωσαν καὶ ἰδίᾳ τοὺς οἴκους ἤγαγον ἐς τὸ ἔσχατον ἀσθενείας. τῷ δὲ ἀγάλματι τοῦ Διὸς πρόσωπον ἐλέφαντος καὶ χρυσοῦ, τὰ δὲ λοιπὰ πηλοῦ τέ ἐστι καὶ γύψου: ποιῆσαι δὲ αὐτὸ Θεόκοσμον λέγουσιν ἐπιχώριον, συνεργάσασθαι δέ οἱ Φειδίαν. ὑπὲρ δὲ τῆς κεφαλῆς τοῦ Διός εἰσιν Ὧραι καὶ Μοῖραι: δῆλα δὲ πᾶσι τὴν πεπρωμένην μόνῳ οἱ πείθεσθαι καὶ τὰς ὥρας τὸν θεὸν τοῦτον νέμειν ἐς τὸ δέον. ὄπισθε δὲ τοῦ ναοῦ κεῖται ξύλα ἡμίεργα: ταῦτα ἔμελλεν ὁ Θεόκοσμος ἐλέφαντι καὶ χρυσῷ κοσμήσας τὸ ἄγαλμα ἐκτελέσειν τοῦ Διός.
Pausanias. Pausaniae Graeciae Descriptio, 3 vols. Leipzig, Teubner. 1903.
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References (3 total)
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- Andrew Stewart, One Hundred Greek Sculptors, Their Careers and Extant Works, The Early and High Classic Periods
- Andrew Stewart, One Hundred Greek Sculptors, Their Careers and Extant Works, In the Wake of the Great Masters
- Dictionary of Greek and Roman Geography (1854), ME´GARA
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