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chapter:
INTRODUCTION
CHAPTER I: ON CLIMATE AS DETERMINING THE STYLE OF THE HOUSE
CHAPTER II: SYMMETRY, AND MODIFICATIONS IN IT TO SUIT THE SITE
CHAPTER III: PROPORTIONS OF THE PRINCIPAL ROOMS
CHAPTER IV: THE PROPER EXPOSURES OF THE DIFFERENT ROOMS
CHAPTER V: HOW THE ROOMS SHOULD BE SUITED TO THE STATION OF THE OWNER
CHAPTER VI: THE FARMHOUSE
CHAPTER VII: THE GREEK HOUSE
CHAPTER VIII: ON FOUNDATIONS AND SUBSTRUCTURES
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BOOK I
BOOK II
BOOK III
BOOK IV
BOOK V
BOOK VI
BOOK VII
BOOK IX
7. Nobody, therefore, attempts to practise any other art in his own home—as, for instance, the shoemaker's, or the fuller's, or any other of the easier kinds—but only architecture, and this is because the professionals do not possess the genuine art but term themselves architects falsely. For these reasons I have thought proper to compose most carefully a complete treatise on architecture and its principles, believing that it will be no unacceptable gift to all the world. In the fifth book I have said what I had to say about the convenient arrangement of public works; in this I shall set forth the theoretical principles and the symmetrical proportions of private houses.
Vitruvius: The Ten Books on Architecture. Vitruvius. Morris Hicky Morgan. Cambridge: Harvard University Press. London: Humphrey Milford. Oxford University Press. 1914.
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